First, we have two police officers (um don’t think so) going into a theater and shooting a maniac, Burleson (Frank Humes) wielding a bloody hacksaw, and discover his Dog Man (Richard Rawson). Let’s try to understand a plot that truly does not exist from screenwriter John Oak Dalton who had worked with the Polania brothers before with films like Razorteeth (2005) and more recently The Girl in the Crawlspace (2018), involving a multiple subplots all meeting together at a cabin in the woods. Zombies (2016), shows his ability to deliver the product to his loyal fans. Mark, though a competent director and has done many roles in the film business, and is connected to over 50 horror films alone, and recently release of Amityville Exorcism (2017) and Bigfoot vs. Just noting some of the better quantities on the low end of filmmaking with Raptor Ranch (2013) and even the 2010 TV Movie Triassic Attack does better in presentation, and well touch a little more on the entire b-movie aspect later in this review. In fact, the dino motives constantly dot the landscape of horror, and this movie contains a reference to Godzilla, but even that beast is better looking than this dino-pooper. In fact, Mark was involved in the Dinosaur Chronicles from (2004) showing his familiarity with the topic, while these don’t fare well either, they do have higher ranking than this mess. Well, folks it is without a doubt the correct path, and now for the reasons, it is garbage far too harsh of criticism leveled by other critics, but not far from this target.ĭirector Mark Polonia returns to the arena which he tackled before, Saurians (1994) involving two dinosaurs awakened by blasting from construction crews, in this 2015 film the dinosaur (if you can keep straight-face) call it that awakens from mine blasting. The movie Jurassic Prey at one time had a rating on IMDb of 4.8, and quickly fell to 1.7, this review will determine if that is the right course to spiral downward into the agony or has it suffer manipulation in the vote. Their style will likely have in the future many of their films hitting the this column, low on principle issues but high on cheesy moments and fun filled laughs, along with a share of groans, however this time, it all falls flatter than wax paper and nothing sticks together for the audience. Sadly, John passed on in 2008, at the age 39, of a heart aneurysm, and while his work may never be noted or remembered by most in the horror genre, he did what he loved, and that means a lot. Now we turn to a Polonia Brothers Entertainment, one noting that they, Mark and John, had delved into the DIY filmmaking, with their low budgeting style dating back to Splatter Farm from 1987, and went onward to feed the hearts and spoil the eyes of many fans of the then b-movies with z-grade quality. Though with this column you can see some filmmakers have attempted the impossible with disastrous results, and this only marks the sixth wretched disgust of these nightmares filled with empty entertainment factors. So far, the counted issues of poor script, poor plots, worthless directing and other crimes against basic filmmaking all properly level to those films already mentioned in previous reviews. Another week has come upon us to return to the land of horrendous movies, which dot the graveyard of the horror genre, and to discover if their burial is best left untouched.
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